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Andreas Löschner-Gornau, Professor Emeritus of Fine Arts

"The Curvature of the Arduous Perhaps II sculpture" PLA (bio-based plastic),electroplated with copper, patinated/ Click here to buy

  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
This exclusive sculpture combines cutting-edge technology with traditional craftsmanship. The sculpture’s core is a high-precision form made of PLA, a sustainable, bio-based plastic. Through an intricate, multi-day process, the piece is electroplated with a layer of genuine copper. Its distinctive, vibrant depth is achieved through a subsequent chemical patination process: the shades of verdigris and oxidation result from actual chemical reactions, making this sculpture a truly unique, one-of-a-kind piece. The symbiosis of digital design and classic electroforming gives the work an extraordinary tactile quality and visual dynamism as it rests on its base. Finished with high-quality acrylic accents. A sculpture by Andreas Loeschner-Gornau titled "The Curvature of the Arduous Perhaps II," addressing themes of rising up and resistance. This vertically oriented, abstract sculpture consists of two intertwined yet distinct human figures. The sculpture’s surface is rough and textured, featuring a patina that mimics weathered copper or bronze; areas of earthy gold contrast with turquoise-green sections reminiscent of copper oxidation, while a deeper red hue shimmers beneath. The forms are organic and fluid, characterized by a pronounced curvature that reflects the work's title. The figures appear to rise from a shared base and coil around one another; one figure holds its head high, conveying a sense of rising up or resisting an unseen force. The figure on the left is almost entirely embraced by the one on the right, creating a dynamic interplay of struggle, support, and interdependence. Their curved limbs—lacking clearly defined hands or feet—reinforce the sculpture's abstract, symbolic nature. Set against a pure white background, the sculpture commands undivided attention. Light falls from the front, casting soft shadows on the rear and across parts of the piece, thereby accentuating its sculptural forms and surface texture.