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Andreas Löschner-Gornau, Professor Emeritus of Fine Arts

"The Power of Myths II" PLA (bio-based plastic),electroplated with copper, patinated/ Click here to buy

  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
This exclusive sculpture combines cutting-edge technology with traditional craftsmanship. The sculpture’s core is a high-precision form made of PLA, a sustainable, bio-based plastic. Through an intricate, multi-day process, the piece is electroplated with a layer of genuine copper. Its distinctive, vibrant depth is achieved through a subsequent chemical patination process: the shades of verdigris and oxidation result from actual chemical reactions, making this sculpture a truly unique, one-of-a-kind piece. The symbiosis of digital design and classic electroforming gives the work an extraordinary tactile quality and visual dynamism as it rests on its base. Finished with high-quality acrylic accents. The sculpture "Die Vestalinnen" (The Vestal Virgins) by Andreas Loeschner-Gornau presents itself as a complex, dynamic, and vertical work of art set against a simple, light-gray to white background. The artwork is centrally positioned and fills most of the frame's vertical space. The image displays a sculpture titled "The Power of Myths II" by Andreas Loeschner-Gornau, presented in two side-by-side views against a neutral, light-gray background. The sculpture is an abstract piece reminiscent of intertwined human figures. It consists of several vertical, organically shaped supports linked by horizontal connections, creating open spaces or voids. The sculpture’s surface is irregular and textured, giving it a weathered, almost coral-like appearance. Its striking color scheme combines shades of red, turquoise, and gold. The turquoise is applied unevenly, appearing to peek through the reddish-brown hue—reminiscent of oxidation or patina. Areas of the sculpture, particularly along the curves and projecting sections, are finished with shimmering gold, creating a luxurious contrast to the rustic red and turquoise tones. The texture is rough, featuring small ridges and depressions that reflect light in varied ways. The composition is symmetrical, with the two views positioned side by side. The left view shows the sculpture from the front and slightly from the right, while the right view shows the same piece from the back and slightly from the left. This allows the viewer to appreciate the three-dimensional form and the complexity of the internal structures from different angles. The round or oval voids vary in size and placement, creating a sense of dynamism and movement. The entire sculpture rests on a wider, flat base. Light appears to come from the front, casting soft shadows that accentuate the sculpture's structure and depth.