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Andreas Löschner-Gornau, Professor Emeritus of Fine Arts

"The Power of Myths III" PLA (bio-based plastic),electroplated with copper, patinated/ Click here to buy

  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
  • modern sculpture, plastic art
This exclusive sculpture combines cutting-edge technology with traditional craftsmanship. The sculpture’s core is a high-precision form made of PLA, a sustainable, bio-based plastic. Through an intricate, multi-day process, the piece is electroplated with a layer of genuine copper. Its distinctive, vibrant depth is achieved through a subsequent chemical patination process: the shades of verdigris and oxidation result from actual chemical reactions, making this sculpture a truly unique, one-of-a-kind piece. The symbiosis of digital design and classic electroforming gives the work an extraordinary tactile quality and visual dynamism as it rests on its base. Finished with high-quality acrylic accents. The sculpture "Die Vestalinnen" (The Vestal Virgins) by Andreas Loeschner-Gornau presents itself as a complex, dynamic, and vertical work of art set against a simple, light-gray to white background. The artwork is centrally positioned and fills most of the frame's vertical space. The image shows two views of the same sculpture, titled "The Power of Myths III" (Die Kraft der Mythen III), by Andreas Loeschner-Gornau. The sculpture consists of several intertwined, human-like figures that are bound or clasped together. The forms are organic and fluid, featuring numerous voids and openings between the figures. The sculpture’s surface has a distinct texture reminiscent of weathered or fractured material. The coloring is a blend of bold red and a metallic gold tone; in places, the red is streaked with a turquoise or blue-green patina effect, lending the sculpture depth and an antique character. The gold tone shimmers on the raised areas, accentuating the figures' curves, while the turquoise appears primarily in the recesses and on the rougher surfaces. The composition is symmetrical, with the two views of the sculpture placed side by side. They are rotated slightly differently to offer varied perspectives of the artwork. The lighting comes from the front and slightly above, highlighting the texture and colors while casting shadows within the recesses. The figure on the left appears to be positioned slightly further forward than the one on the right; the sculpture in the foreground is turned slightly away, while the one behind is angled slightly to the left. The overall mood of the image is calm and focused on the artwork, which takes center stage thanks to the simple presentation.