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"Akrobaten II" PLA (bio-based plastic),electroplated with copper, patinated/ Click here to buy

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This exclusive sculpture combines cutting-edge technology with traditional craftsmanship. The sculpture’s core is a high-precision form made of PLA, a sustainable, bio-based plastic. Through an intricate, multi-day process, the piece is electroplated with a layer of genuine copper. Its distinctive, vibrant depth is achieved through a subsequent chemical patination process: the shades of verdigris and oxidation result from actual chemical reactions, making this sculpture a truly unique, one-of-a-kind piece. The symbiosis of digital design and classic electroforming gives the work an extraordinary tactile quality and visual dynamism as it rests on its base. Finished with high-quality acrylic accents. The sculpture "Die Vestalinnen" (The Vestal Virgins) by Andreas Loeschner-Gornau presents itself as a complex, dynamic, and vertical work of art set against a simple, light-gray to white background. The artwork is centrally positioned and fills most of the frame's vertical space. The image shows two views of the same sculpture, titled "Acrobats II" by Andreas Loeschner-Gornau. The two depictions are positioned side by side, with the one on the left turned slightly toward the viewer. The sculpture consists of several twisting, organically shaped columns or elements that taper upwards and are partially interwoven. It is reminiscent of coral structures or human bodies in a dynamic pose. The sculpture’s surface is irregular and textured, featuring a patina that evokes weathered metal. The dominant colors are deep red, turquoise-green, and lustrous gold. The turquoise is applied unevenly, creating a kind of base layer or weathering effect. Red and gold accents are distributed across this surface, tracing the form's ridges and contours; these colors stand out particularly along the edges and within the recesses. Openings or voids—sometimes referred to as "eyes"—are visible in places, lending the artwork a sense of lightness and depth. The composition presents a strictly frontal view of both depictions. The background is a neutral white, isolating the sculptures and focusing attention entirely on the object. The lower part of the image shows a light-gray plinth upon which the sculptures rest. The lighting is even, highlighting the three-dimensional form and surface texture, while the golden areas gleam subtly.