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"There is nothing sweeter than Arabia." PLA (bio-based plastic),electroplated with copper, patinated/ Click here to buy

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This exclusive sculpture combines cutting-edge technology with traditional craftsmanship. The sculpture’s core is a high-precision form made of PLA, a sustainable, bio-based plastic. Through an intricate, multi-day process, the piece is electroplated with a layer of genuine copper. Its distinctive, vibrant depth is achieved through a subsequent chemical patination process: the shades of verdigris and oxidation result from actual chemical reactions, making this sculpture a truly unique, one-of-a-kind piece. The symbiosis of digital design and classic electroforming gives the work an extraordinary tactile quality and visual dynamism as it rests on its base. Finished with high-quality acrylic accents. The sculpture "Die Vestalinnen" (The Vestal Virgins) by Andreas Loeschner-Gornau presents itself as a complex, dynamic, and vertical work of art set against a simple, light-gray to white background. The artwork is centrally positioned and fills most of the frame's vertical space. The image shows two views of the same abstract sculpture titled "Es gibt nichts Süsseres als Arabien" (There Is Nothing Sweeter Than Arabia) by Andreas Loeschner-Gornau. The sculpture is placed on a light-gray surface against a white background. It is a close-up shot that highlights the texture and forms. The sculpture itself is formed from several intertwined, human-like figures. The shapes are organic, reminiscent of roots or bodies clinging to one another. The surface is rough and uneven, coated with a patina of gold, turquoise, and red paint. The turquoise color appears to settle deep within the sculpture's grooves and recesses, while the gold color covers and reflects light from the raised areas. The red paint is applied in patches over the gold and turquoise surface, evoking the look of rust or weathered metal. The view on the left shows the sculpture from the front, while the view on the right shows it slightly from the side. Both views reveal the complex structure of the interlocking forms. One can discern various body parts—such as heads, arms, and legs—that are connected and intertwined. The sculpture appears dynamic and lively, almost as if the figures were dancing together or supporting one another. The lighting is soft and even, effectively accentuating the sculpture's three-dimensional form. The shadows are subtle, adding to the object's depth and texture. The composition is symmetrical, with the two views placed side by side. The bold gold, turquoise, and red colors give the sculpture an appearance that is both luxurious and earthy. The patina creates an impression of age and permanence, while the abstract forms convey a modern, contemporary aesthetic. The title "There Is Nothing Sweeter Than Arabia" suggests a possible inspiration from the Orient, which might be reflected in the warm colors and exotic forms.